Netflix is home to some of the most popular shows in streaming history, including its originals like Stranger Things or adaptations of beloved animated series like Avatar: The Last Airbender or One Piece. It’s also notorious for how it treats certain shows, with breakout hits often canceled without warning. Some Netflix subscribers have also expressed their frustration that certain shows get canceled while others seem to continue without any issue (read: Emily in Paris). However, Netflix is now facing another major issue with its shows, and it’s entirely the streamer’s own making.
A new report from Bloomberg shows a stark difference in viewership between the debut season of a Netflix original and its second season. Season 2 of One Piece lost over 30% of its audience, while Season 2 of Beef fell a staggering 70%. Perhaps the biggest indicator that Netflix’s status isn’t what it used to be is Avatar: The Last Airbender, which saw a 60% drop in viewership just a week after its premiere. The problem isn’t quality, as most of these series have received higher ratings in their second seasons than in their debuts. So what’s causing these massive drop-offs in viewership? The answer is simple.
The Delay Between Seasons Is Affecting Netflix’s Viewership Numbers
After Bloomberg’s report dropped, writer/director Matthew A. Cherry laid out a simple truth on Twitter: the years-long gap between seasons is eroding people’s interest in Netflix’s shows. It’s not hard to argue Cherry’s point, as new installments of Netflix originals seem to be taking longer to come out. Both Beef and One Piece premiered in 2023, meaning that it took three years for a new season to drop. While other elements like the SAG-AFTRA/WGA strike of 2023 impact production, Netflix is also relying solely on the faith of its subscribers for viewership, and that faith is starting to wear thin.
Another side effect of the seasonal gap is that audiences’ opinions on certain series begin to shift, and sometimes not for the better. Stranger Things is a great example of this, as the gap between seasons widened, resulting in a re-evaluation of what was once a beloved series. Many felt Stranger Things would have been better served as a miniseries, while others felt that its embrace of ’80s pop culture was stagnating actual pop culture. Other fans felt that the show extending its episodes to feature length didn’t do much for the story, leading to a mixed reception for the series finale, “The Upside Down.” In many ways, this was a harbinger of things to come for Netflix.
Netflix’s Binge Model is Outdated
Netflix has another issue to contend with beyond its lengthy production gaps: its binge model has grown outdated. When it first launched, the idea of watching a single season of television in a day was a great hook. Now, most people are championing longer seasons rather than the 8 episodes Netflix usually allots for its original series. Other streamers like Prime Video and Disney+ have made a habit out of weekly releases and ended up edging Netflix out of the limelight. Cosmopolitan entertainment editor Tamara Fuentes also pointed out in an interview with TheWrap that while other streamers have found a clear identity, Netflix remains hard to pin down.
“Netflix often found its identity via the hit show at the time. It is like they are trying to figure out that formula again — trying to see what the next big thing can be — but they don’t often lean into what they find as success.”
If Netflix wants to reclaim its crown in the Streaming Wars, it needs to switch up both its production strategy and its approach to releasing original television. Netflix is still capable of making hits, as anyone who’s seen KPop Demon Hunters or The Boroughs can confirm. But it’s clear that time is not on its side, and those in charge should embrace change rather than remain on a sinking ship.