What is Rachel Sennott’s Net Worth?
Rachel Sennott is an American actress, comedian, writer, and producer who has a net worth of $2 million.
Rachel Sennott is best known for her breakout performance in “Shiva Baby,” her scene-stealing role in the A24 horror-comedy “Bodies Bodies Bodies,” and for co-writing and starring in the queer teen comedy “Bottoms” with director Emma Seligman. She first built an audience through stand-up, Twitter, and online comedy, where her anxious, self-aware, often chaotic persona helped define a particular strain of millennial and Gen Z humor. Unlike many young actresses who became famous through superhero films or studio franchises, Sennott rose through indie comedy, film festivals, social media, and emotionally uncomfortable roles about sex, ambition, friendship, and insecurity. Her career expanded further when she created, wrote, produced, and starred in the HBO comedy series “I Love LA,” establishing her not only as a performer but as a young showrunner with a distinct comic voice.
Early Life
Rachel Anne Sennott was born on September 19, 1995, in Simsbury, Connecticut. She grew up in a Catholic family and attended Simsbury High School. After graduating, she enrolled at New York University’s Tisch School of the Arts, where she studied acting.
While at NYU, Sennott became interested in comedy and began performing at open mics. She also started acting in student films and developing the nervous, candid, hyper-specific comic style that later became her signature. Her earliest audience came through live comedy and social media, where she posted jokes about dating, friendship, insecurity, sex, social performance, and the absurdity of trying to become an artist in New York.
Comedy and Early Work
Sennott’s early career mixed stand-up, short films, internet comedy, and small acting roles. She became particularly associated with a generation of performers who used Twitter and short-form online work as both a creative outlet and a discovery platform.
She co-created and co-starred with Ayo Edebiri in “Ayo and Rachel Are Single,” a Comedy Central digital series about dating and friendship. The project helped introduce both comedians as emerging voices before their later breakthroughs. Sennott also appeared on television shows such as “High Maintenance” and “Call Your Mother,” gradually moving from comedy circuits into scripted screen work.
“Shiva Baby” Breakthrough
Sennott’s breakthrough came with “Shiva Baby,” written and directed by Emma Seligman. The project began as a short film before being expanded into a feature released in 2020. Sennott starred as Danielle, a college student who attends a shiva with her parents and is forced into a suffocating collision of family expectations, sexual secrets, money anxiety, and romantic embarrassment.
“Shiva Baby” became a critical favorite and turned Sennott into an indie-film breakout. The film’s claustrophobic style and cringe-comedy tension depended heavily on her performance, which balanced panic, sarcasm, guilt, and vulnerability. It also established her creative partnership with Seligman, one of the most important collaborations of her career.
(Photo by Jamie McCarthy/Getty Images)
“Bodies Bodies Bodies” and “Bottoms”
In 2022, Sennott reached a wider audience with “Bodies Bodies Bodies,” an A24 horror-comedy directed by Halina Reijn. She played Alice, a podcast-hosting, trend-obsessed partygoer whose one-liners and self-involved panic made her one of the movie’s most memorable characters. The film helped cement Sennott’s reputation as a performer who could make satire feel both ridiculous and painfully recognizable.
She reunited with Emma Seligman for “Bottoms,” released in 2023. Sennott co-wrote the film with Seligman and starred opposite Ayo Edebiri as one of two unpopular queer high school students who start a fight club as a way to get closer to cheerleaders. The film became a cult hit and further established Sennott as both an actress and writer. Its mix of violence, absurdity, horniness, queer comedy, and teen-movie parody made it one of the most distinctive comedies of its year.
Television, “Saturday Night,” and “I Love LA”
Sennott’s television and film career continued expanding after “Bottoms.” She appeared in “The Idol,” the HBO drama created by Sam Levinson, Abel “The Weeknd” Tesfaye, and Reza Fahim. She also played comedian and writer Rosie Shuster in “Saturday Night,” Jason Reitman’s film about the chaotic lead-up to the first episode of “Saturday Night Live.”
Her biggest creative step came with “I Love LA,” the HBO comedy series she created, wrote, produced, and starred in. Sennott played Maia, a young talent manager trying to build a life and career in Los Angeles while dealing with friendship, ambition, jealousy, social media, and the return of a chaotic former friend played by Odessa A’zion. The series gave Sennott a broader canvas for the themes that had already defined her work: messy female friendship, self-invention, internet-age anxiety, and the embarrassing gap between who people are and who they pretend to be.
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