Taylor Sheridan’s Forgotten 7-Part Hulu Crime Thriller Is So Good, You’ll Wish You Found It Sooner

Taylor Sheridan has made a name for himself as the godfather of the new Western genre, thanks to his extremely popular Yellowstone franchise. Since he has gained recognition as the writer for such socially motivated films as Sicario and Hell or High Water, it can be easy to forget that Sheridan started in the entertainment industry as an actor. While he has several well-placed cameos in his own work, one of his best roles was as Deputy Hale in FX’s biker drama, Sons of Anarchy.

Starring Charlie Hunnam as the doomed Jax Teller, Sons of Anarchy was a clever update to Shakespeare’s famous tragedy, Hamlet. Set in contemporary Northern California rather than Denmark, the gritty crime thriller still focuses on a young man haunted by his father’s death and the realization that his mother is more complicit than she seems.

When the series starts, Jax is the vice president of the Sons of Anarchy motorcycle club under the rule of his stepfather, Clay Morrow (Ron Perlman), who serves as president. The more Clay forces the club into running guns, the more Jax wants to honor his father John Teller’s vision for the club. This internal struggle is what sets Sons of Anarchy apart from other crime stories of its kind. The show also walks in the footsteps of shows like The Shield, perhaps even surprising some with the strength of its acting.





















































Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

Taylor Sheridan Was the Moral Compass of ‘Sons of Anarchy’

Sons of Anarchy may have slipped past many viewers because of its concept, but the central themes and performances set this story apart. While Jax and Clay struggle for power, the tertiary characters are just as relevant. The man desperately trying to keep everything in order is Deputy Hale, who, from a certain perspective, could be seen as an antagonist of the series. Hale knows that the motorcycle club brings in the criminal element, and he despises how complicit his superior, Sheriff Unser (Dayton Callie) has become. As his character develops, however, it’s clear that Hale has everyone’s best interests at heart.

Hale went to high school with Jax and the empathetic doctor, Tara Knowles (Maggie Siff), and has seen the destruction the club can cause. There are certain times, however, when he and the club are on the same side. Hale wants to help Tara with her restraining order against her volatile ex, and when true evil comes to town, Hale accepts that the Sons are necessary. He and the club can always agree that ATF Agent June Stahl (Ally Walker) is the real villain, as is the white nationalist Ethan Zobelle (Adam Arkin) of Season 2.

While they are sometimes on opposing sides, the Sons and Hale both want to protect the town, so when the deputy’s time on the series comes to an end, it is a tragedy. Sons of Anarchy is no stranger to violence and death, but Hale’s was brutal. Killed in a drive-by shooting, his final act is to attempt to stop the driver before getting hit by the van. His death is devastating to the show, as he was the moral compass.

Sheridan’s departure was a shock but a natural progression of the narrative. Sons of Anarchy grew darker and more brutal until the final episodes that committed Jax to his Shakespearean counterpart’s fate. Like Hamlet, Sons of Anarchy was always a tragedy and, in seven seasons, it never backed down from that legacy.

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