Get the Hard Copy! Sony Just Proved the Risk of Digital Ownership – RedState

More evidence has emerged that just because consumers purchase digital content, it does not mean that they actually own the entertainment they paid for personally. The announcement came out this week that Sony will be removing over 500 film titles from its store accounts for the PlayStation console. That is to say, anyone who purchased a motion picture through that platform will no longer have the film they paid to “own.”





The company sent out a notice to PlayStation Store customers that as of September 1, the affected titles will be permanently removed from accounts. “You will no longer be able to access your previously purchased content from Studio Canal, and it will be removed from your video library.” 

This affects 551 titles of movies and television shows, no small library, arbitrarily removed regardless of the purchase of said content. What led to this is that a few years ago Sony stopped offering films and shows available for purchase through its store account (but assured customers their purchased content would remain intact), but it has chosen not to renew licensing with the studio, Studio Canal, and by letting the rights lapse it needs to eliminate that content.

The company is not offering any refunds or other compensation — such as credit on the platform — for the deleted paid-for content. This heightens the feeling among a growing number of consumers that owning physical copies of IP is the way forward.





This unsettling reality has heightened the concerns that were heard last month regarding the preorders for the latest upcoming release in the Grand Theft Auto gaming franchise. Players wanting to purchase hard copy versions of the game were told that, instead, the box will have a code for a digital edition of GTA-6. Now, Sony is eradicating personally curated content, making this universe all the more uneasy.

What the company is doing is inspiring consumers to shy away from investing in what is proving to be a fluid interpretation of ownership. This is something encountered also in the publishing realm. Years ago, ebooks were coming to the fore in the marketplace, and initially, this appeared to be a sound option. Digital editions were cheaper, instantly available, and offered many compelling features for readers, such as text formatting, in-book searchability, note-taking, and more. 

But as time went on, the prices reached parity (despite the low cost of providing digital vs. hard copy printing), and the ephemeral reality of owning a book became apparent. We even saw retroactive editing of past works in play when contemporary sensitivities would declare past writings to be deemed “offensive.”

What Sony has not contemplated is how this will be accepted in the marketplace. The company just announced that at the start of 2028, it will follow the GTA-6 model and no longer produce physical copies of games for the PlayStation console. This will only further the unease felt by buyers, as they have seen their archived purchases wiped away via keystrokes. 





Gamers will be leery to buy, with some already pledging to switch to other gaming systems due to this capricious lack of preservation. Additionally, if your purchase can be revoked for any reason the powers that be deem reasonable, this will inspire more to move to piracy of content. When the corporations opt to alter the rules, many in the marketplace will do the same.


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